It's been nearly two weeks since the DGA announced that it had reached a deal with the Studios, thereby averting a Directors' Strike and also, in theory, laying the foundation for the Striking Writers to secure a similar deal.
Initial response from Hardline Writers was as expected: "This is the worst deal in the history of deals."
The rest of Hollywood saw the merits of the deal and, when the WGA NegCom and the AMPTP restarted negotiations (although informally), most of us collectively and optimistically held our breaths.
The beginning of this week brought rumors that a deal was imminent, and perhaps it is. But as the week has drawn on, there is a growing sense that the hardline view is actually starting to take hold.
People are still buying into the "Sky Is Falling" fear that reruns are going to disappear. This is lemming-like conspiracy-based fear at its most insane. The idea is so farfetched as to be comical, yet folks are falling for Mallory Keaton's warped (though obviously very earnest) view.
The boogeyman is everywhere...
Now the SAG president is squashing the deal. Respected Writer-Director Phil Alden Robinson is writing (rather eloquently) about how bad it is.
I understand that this deal is not the pie in the sky deal that anyone wanted. I even get that some realistic goals were not met -- I thought the streaming residual would come in at around $2000, for example (which is a number that might as well be $1200 as far as many hardliners are concerned).
But I urge these writers -- again -- to really lay out what they realistically expect to gain in a contract that is not currently there. And, again, what price are they willing to pay? What price are they expecting the rest of us to pay?
Is it worth another 6 months of strike in order to get jurisdiction for Reality? Is it worth 3 months to get $4000 for streaming?
Cos guess what? A lot of us don't think it is worth it. We're done with this strike, which NEVER SHOULD HAVE BEEN.
We're sick of the financial losses.
We don't want to lose our homes.
We are sick of you flushing the present down the drain in exchange for a future that would be uncertain even with the bestest, most wonderful contract ever conceived by man, woman, or unicorn.
The DGA deal is an excellent template. If tweaks can be made without derailing the whole process, fine. But it is time to get Hollywood back to work.
This Strike has produced some dividends. It's time to cash in.
Sign the deal.